The earnest work of boyish Canadian singer/songwriter Ron Sexsmith won acclaim not from only critics but from fellow performers like Paul McCartney, Elvis Costello, and John Hiatt -- some of the same artists, ironically enough, who initially inspired Sexsmith himself to become a musician.
For Ron Sexsmith, there’s always a trigger to an album, something that sets in motion the songs he’s writing not exactly as a concept, but certainly a theme or feel. His last album, Forever Endeavour, was born of a health scare while its predecessor Long Player, Late Bloomer was born of disillusionment. 2015’s Carousel One, however, finds Sexsmith in surprising territory for a man often pegged as a downbeat balladeer: he’s actually contented.
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