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| | Wits' End Presents The Savannah Sipping Society by Jones Hope Wooten
February 20th at 7pm CANCELLED
February 22nd at 2pm
February 27th at 7pm
February 28th at 5pm
Building open 2 hours prior to start of show
General Admission
All seats $30 with $4.00 in fees
Click on the show date below to purchase tickets.
In this delightful, laugh-a-minute comedy, four unique Southern women needing to escape the sameness of their day-to-day routines are drawn together by fate – and an impromptu happy hour – and decide it’s high time to reclaim their former enthusiasm for life. The audience will get themed two drinks included in their ticket price to sip along with the ladies onstage!
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| | Leslie Mendelson
Concert at 7pm
General Admission
All seats $25 plus $3.50 in fees
Series discount may be available at a later date
plus fees; see terms and conditions
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| | Arena Rock
Saturday,March 14 - Concert at 7:00pm (Doors open at 6:15 pm)
Potter Mainstage - Reserved Seating
Main Floor: $40 plus $5 in fees
Lower Balcony: $40 plus $5 in fees
Upper Balcony: $35 plus $5 in fees
plus fees; see terms and conditions
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| | Avey Grouws Band
Saturday, March 21 - Concert at 7:00pm
Building opens at 5:00 pm
Mainstage - GENERAL ADMISSION
Pricing: $30 plus $4 in fees
Click on the show date to purchase tickets.
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| | Chosen Bean listening room series featuring True North
Friday, March 27 - Concert at 7pm
Building open at 5:00pm
General Admission
All seats $25 plus $3.50 in fees
plus fees; see terms and conditions
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| | Paul Lawrence part of the Chosen Bean Listening Room series
Concert at 7pm in the legion room
General Admission
All seats $25 plus $3.50 in fees
Series discount may be available at a later date
plus fees; see terms and conditions
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| | Parrothead Paradise
Saturday, April 11 - Concert at 7:00pm
Building opens at 5pm
Potter Mainstage - Reserved Seating
Main Floor: $35 plus $5 in fees
Lower Balcony: $35 plus $5 in fees
Upper Balcony: $30 plus $4 in fees
plus fees; see terms and conditions
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| | The Janzen Boys
Friday, April 17- Concert at 7pm
Building open at 5pm
General Admission, backstage
All seats $25 with $3.50 in fees
Click on the show date below to purchase tickets.
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| | Backstage Nashville: Jim Collins, Ray Stephenson, Alyssa Flaherty& Devon O’Day (host)
Saturday, April 18- Concert at 7:00pm
Building opens at 5:00pm
Potter Mainstage - Reserved Seating
Main Floor: $75 plus $9 in fees
plus fees; see terms and conditions
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| | The Tennesee Stiffs
Concert at 7pm
General Admission
All seats $25 with a $3.50 fee
plus fees; see terms and conditions
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| | Deja Vu: A Celebration of the Music of Crosby, Stills, Nash and Young with Collective Unconscious
Saturday, May 9 - Concert at 7:00pm
Building open at 5pm
Potter Auditorium - All Reserved/Assigned Seating
Main floor seating $35 plus $5.00 in fees
Lower balcony seating $35 plus $5.00 in fees
Upper balcony seating $30 plus $4.00 ini fees
Collective Unconscious once again "drops the needle" on another classic rock album, this time the 1970 release from Crosby, Stills, Nash and Young: Deju Vu. You'll hear hits like Woodstock, Teach Your Children, Our House, and Carry On, as well as a pulse-pounding rendition of Almost Cut My Hair, along with a selection of other CSNY hits.
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| | Elderly Brothers part of the Chosen Bean Listening Room Series
Friday, May 15 - Concert at 7pm
Building open at 5:00pm
General Admission
All seats $25 plus $3.50 in fees
see terms and conditions
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| | Mary Cutrufello
Concert at 7pm
General Admission
$25 plus $3.50 in fees
Mary Cutrufello has been a Texas honky-tonk heroine, a fiery Midwestern roots-rocker, and a powerhouse acoustic performer in her almost 35 years in the music business. Connecticut-raised and Yale-educated, she's performed on The Tonight Show and Austin City Limits (twice), and toured in all 50 states and several European countries. Hailed by USA Today as "a fierce guitarist with a blistered-throat voice," Cutrufello's music is a captivating, heartland-proud musical stew at once timeless and immediate.
This special solo-acoustic performance will showcase her songcraft. Mary will perform selections from the entirety of her writing career, from her 1983 rock opera "Pool of Fire" to tried-and-true classics and brand new and as-yet-unrecorded material.
"A rough-hewn voice and a knack for depicting small towns and the often desperate characters who inhabit them." --The Washington Post
plus fees; see terms and conditions
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