Important Information

  1. Web sales turn off 2 hours before curtain.  If there are tickets still available, you may purchase them at the box office.  Doors open 30-45 minutes before curtain.
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Performance Dates: May 21-June 13, 2026

Meet Argan — a man absolutely convinced he is dying, despite all evidence to the contrary, including the evidence of his own functioning body. His doctors are delighted to keep him that way, his scheming wife is eyeing his estate, and his lovesick daughter is about to be handed off to the dullest medical student in all of France — because if you can't beat the doctors, why not marry one? Throw in a mischievous maid who may be the only sane person within a ten-mile radius, and you've got a 350-year-old farce that’s still relevant today and somehow gets funnier every time healthcare gets more expensive. Comedies like this are better with friends; bring some.

Directed by Merrick Yra and Abigail Camerino.

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Performance Dates: September 17-October 10, 2026

Directed by Craig Benson

Tracy Letts’ The Minutes is a dark comedy set entirely during a small-town city council meeting, where newcomer Mr. Peel asks relentlessly about the missing minutes from a previous session and the sudden absence of a fellow council member. The play, initially a sharp satire of petty local politics and bureaucracy, builds to a sinister, shocking revelation about the town's historical foundation. This play is a powerful modern allegory for how communities choose to remember or deliberately conceal uncomfortable truths about their past, particularly regarding their treatment of marginalized people. Ultimately, the play explores the lengths people will go to preserve their comforting, curated narratives of history and maintain power.

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Performance Dates: November 12-December 12, 2026

Directed by Andrea Zvaleko

She Loves Me is a charming 1930s-set romantic musical comedy about Amalia and Georg, two bickering clerks at a Budapest parfumerie who are unknowingly each other's anonymous soulmates via lonely-hearts correspondence. Their work-day antagonism contrasts sharply with the deep affection in their secret letters. The musical’s core theme of seeking authentic connection over surface-level attraction is highly relatable today, much like its modern adaptation, You've Got Mail. 

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