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| | Twelve Angry Men
June 16 to July 17
A drama by Reginald Rose
Directed by John Welsh
Produced by special arrangement with Dramatic Publishing
A 19-year-old man has just stood trial for the fatal stabbing of his father. "He doesn't stand a chance," mutters the guard as the 12 jurors are taken into the bleak jury room. It looks like an open-and-shut case—until one of the jurors begins opening the others' eyes to the facts. "This is a remarkable thing about democracy," says the foreign-born juror, "that we are notified by mail to come down to this place—and decide on the guilt or innocence of a person; of a man or woman we have not known before. We have nothing to gain or lose by our verdict. We should not make it a personal thing." But personal it is, with each juror revealing his or her own character as the various testimonies are re-examined, the murder is re-enacted and a new murder threat is born before their eyes! Tempers get short, arguments grow heated, and the jurors become 12 angry men.
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| | The Outsiders
August 4 to August 25
A drama adapted by Christopher Sergel,
from the book by S.E. Hinton.
Directed To be announced
Produced by special arrangement with Dramatic Publishing
S.E. Hinton, who wrote this modern classic when she was 16 years old, comments: "The Outsiders, like most things I write, is written from a boy's point of view. That's why I'm listed as S.E. Hinton rather than Susan. (I figured most boys would look at the book and think 'What can a chick know about stuff like that!') None of the events are taken from life, but the rest—how kids think and live and feel—is for real.
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| | Somewhere In Between
September 22 to October 13
A romantic comedy by Craig Pospisil
Directed by Chris Gomez
Produced by special arrangement with Dramaatists Play Service
Told in ten scenes, the play begins in the dark, as Jasper confesses his feelings of isolation to the audience. But he becomes unnerved in the dark and calls for lights. In the first scene, Jasper is stuck between floors on an elevator with a claustrophobic man, who goes quickly and hilariously over the edge. At work, a sleazy coworker gives him farcical advice on how to pick up women, and that night Jasper goes to a bookstore and tries to pick up a pretty clerk, Holly. He strikes out badly, but is picked up by another woman, who takes him home…where she lives with her boyfriend. A ride on the subway turns into a comic free-for-all as he and other riders enthusiastically give advice to a lost tourist. Jasper crosses paths with Holly again at a party and gamely starts a conversation, hoping she won't recognize him, but she does and teases him flirtatiously. On their first date, Jasper and Holly go to a cozy restaurant for quiet conversation, but the couple seated on one side of them erupts in a battle of the sexes, while the couple on the other side engages in passionate verbal foreplay. Later, Jasper walks Holly home and their conversation seems mundane, but their fantasies about each other are anything but. A chance encounter with a homeless man forces Jasper to gain some perspective on his life. Back at work, Jasper snaps when a friend tells him Holly is dating someone else. He loses his cool, kicks a chair, breaks his foot, and gets fired. Feeling suddenly liberated, he hobbles to Holly's bookstore and asks her if she is seeing someone else. She isn't. They kiss—and leave immediately for the hospital. In the end, Jasper briefly talks to the audience again, understanding he must accept life's uncertainties, which aren't all bad, and make the best of things.
Note: Mature Content and Language
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| | Miracle on 34th Street
November 17 to December 15
By Valentine Davies
Directed by Maria Drake
Produced by special arrangement with Dramatic Publishing
“This is a tale that we want to believe in, that creates a world we seem to desperately desire, free of the blatant commercialism that surrounds us, where love and decency and generosity of spirit are their own rewards. What we want Christmas to be all about, really." So writes the Santa Cruz Sentinel of this most heartwarming holiday story. By chance, Kris Kringle, an old man in a retirement home, gets a job working as Santa for Macy's. Kris unleashes waves of good will with Macy's customers and the commercial world of New York City by referring parents to other stores to find exactly the toy their child has asked for. Seen as deluded and dangerous by Macy's vocational counselor, who plots to have Kris shanghaied to Bellevue Psychiatric Hospital, Kris ends up in a court competency hearing. Especially at stake is one little girl's belief in Santa. In a dramatic decision, the court confirms Kris as the true Santa, allowing Susan and countless other children to experience the joy of childhood fantasy.
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