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A sinister con man and two ex-convicts are on the hunt for a mysterious doll, which they trace to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Susy refuses to reveal its location and, with the help of a young neighbor, soon realizes she's the victim of a bizarre charade. A deadly game of cat and mouse ensues, where Susy must use her unique understanding of her environment to her advantage.

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Four beautiful, badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution's Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. This grand and dream-tweaked comedy is about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world. It's a true story. Or total fiction. Or a play about a play. Or a raucous resurrection... that ends in a song and a scaffold.

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Stay tuned for new works by new local playwrights.

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In early 1895, the Marquess of Queensberry, the father of Wilde's young lover, Lord Alfred Douglas, left a card at Wilde's club bearing the phrase "posing sodomite." Wilde sued the Marquess for criminal libel. The defense denounced Wilde's art and literature as immoral, leading the prosecuting attorney to declare, "It would appear that what is on trial is not Lord Queensberry but Mr. Wilde's art!" In the end Queensberry was acquitted, and evidence that had been gathered against Wilde compelled the Crown to prosecute him for "gross indecency with male persons." With Wilde's arrest, his hit plays running in London's West End were forced to close, and Wilde was reduced to penury. A second trial ended in a hung jury with Wilde's impassioned defense of "the love that dare not speak its name," prompting a third trial. In the third and decisive trial, Wilde was convicted and sentenced to two years imprisonment at hard labor. He was separated forever from his wife and children, and wrote very little for the rest of his life. In addition to Wilde, Douglas and Queensberry, characters ranging from Queen Victoria to London's rent boys, to a present-day academic are assembled to explore how history is made and how it can be so timely revisited in the theatre.

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An irreverent, darkly comic, modern take on Sir Arthur Conan Doyle's famous sleuth and sidekick. This fast-paced romp re-examines the world's most famous detective story with a bold new feminist lens. In this highly theatrical, small-cast escapade, oddball female roommates Sherlock (yes, it?s also a girl's name - wait, is it a girl's name? Is it even a name?) Holmes & Joan Watson join forces to emerge from pandemic fog as a deeply codependent, quasi-dysfunctional Odd Couple adventure duo-solving mysteries and kicking butts, until they come face to face with a villain who seems to have all of the answers.

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Once upon a time, there were four guys (Sparky, Smudge, Jinx and Frankie) who discovered that they shared a love for music and then got together to become their idols ? The Four Freshman, The Hi-Lo's and The Crew Cuts. Rehearsing in the basement of Smudge's family's plumbing supply company, they became "Forever Plaid". On the way to their first big gig, the "Plaids" are broadsided by a school bus and killed instantly. It is at the moment when their careers and lives end that the story of Forever Plaid begins... Singing in close harmony, squabbling boyishly over the smallest intonations and executing their charmingly outlandish choreography with overzealous precision, the "Plaids" are a guaranteed smash, with a program of pop hits of the 1950s and delightful patter.

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