Dolly Parton's
9 to 5 the Musical

9 to 5 The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the seminal 1980 hit movie. Set in the late 1970s. this hilarious story of friendship and revenge in the Rolodex era is outrageous, thought-provoking, and even a little romantic.

Pushed to the boiling point, three female coworkers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down. Hey, a girl can scheme, can’t she?

9 to 5 The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the seminal 1980 hit movie. Set in the late 1970s. this hilarious story of friendship and revenge in the Rolodex era is outrageous, thought-provoking and even a little romantic

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August Wilson's Fences

Set in segregated Pittsburgh in the 1950s, “Fences” depicts the life of Troy Maxson, a former Negro League baseball star now scraping by as a sanitation worker. A towering figure facing thwarted aspirations, Troy attempts to assert control in his life through his relationships with his wife and son. But even as he takes responsibility for their safety and well-being, he betrays them each in ways that will forever alter their lives. Part of August Wilson’s 10-play Century Cycle, “Fences” explores the walls we build around ourselves and our loved ones, while also illuminating one family’s struggles in a racist society. Winner of the 1987 Pulitizer Prize and Tony Award for Best Play.

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Jenine Tesori and Lisa Kron's Fun Home

When her father dies unexpectedly, graphic novelist Alison dives deep into her past to tell the story of the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood playing at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality, and the looming, unanswerable questions about her father’s hidden desires. Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes. Winner of the 2015 Tony for Best Musical, and a finalist for the Pulitzer Prize.

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Chatham County Line at Lee Street!

Chatham County Line has never been shy about crossing borders. Birthed from country rockers Stillhouse in 1999, the Raleigh, NC-based quartet initially referred to its sound as new traditional, “We were in love with bluegrass, so we wanted to play bluegrass without really being trained in it,” Chatham County Line’s vocalist/guitarist Dave Wilson says. The group used the term “guerrilla bluegrass” to describe themselves in those early years, mainly because they had such a mobile form of playing.

“We don’t need electricity to do anything, so we would play on street corners everywhere. We just thought we were kind of a traditional band as far as instrumentation.” But Wilson says they only got away with that for a short while after their eponymous 2003 debut, on a quest to find their own voice. ”We’re rock and roll kids, and we came to it for the love of the genre and the style of performing.” He insists that nobody who knew bluegrass ever thought they were a ‘grass band. “We’re kind of an Americana band without drums, or a rock and roll band who doesn’t plug anything in.”

The band’s name comes from one of their very first practices when the then—unnamed group—Wilson on guitar, vocals, and harp; John Teer on mandolin and fiddle; Chandler Holt on banjo; and Greg Readling covering bass, pedal steel, and piano duties, were trying to find Holt’s place in Chapel Hill and got lost. “We crossed the Chatham County line, and we never looked back,” Wilson says. “Just saw the sign, and said that’d be a good idea for a name, and the next thing you know….”

chathamcountyline.com

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Moises Kauffman's 33 Variations

A mother coming to terms with her daughter. A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama, memory and music combine to transport you from present-day New York to nineteenth-century Austria in this extraordinary American play about passion, parenthood and the moments of beauty that can transform a life.

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John Barlow and Patrick Buchan's
The 39 Steps

Mix a Hitchcock masterpiece with a juicy spy novel, add a dash of Monty Python and you have The 39 Steps, a fast-paced whodunit for anyone who loves the magic of theatre! This two-time Tony® and Drama Desk Award-winning treat is packed with nonstop laughs, over 150 zany characters (played by a ridiculously talented cast of four), an onstage plane crash, handcuffs, missing fingers, and some good old-fashioned romance!

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Neil Simon's Last of the Red Hot Lovers

Middle-aged and married, overworked and overweight, Barney Cashman wants to join the sexual revolution before it's too late and arranges three seductions: the first, Elaine Navazio proves to be a foul-mouthed bundle of neuroses; Bobbi Michele is next, a 20-ish actress who's too kooky by half; finally comes September and Jeanette Fisher, a gloomy, depressed housewife who happens to be married to Barney's best friend.

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Simon Stephen's The Curious Incident of the Dog in the Night-time

15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.

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Terrence McNally and David Yazbek's
The Full Monty, the Musical

Based on the cult hit film of the same name, The Full Monty, a ten-time Tony Award nominee, is filled with honest affection, engaging melodies and the most highly anticipated closing number of any show.

While spying on their wives at a "Girls' Night Out," a group of unemployed steelworkers from Buffalo sees how much they enjoy watching male strippers. Jealous, out of work and feeling emasculated, the men come up with a bold and unclothed way to make some quick cash. In preparing, they find themselves extremely exposed; not merely physically but emotionally. As they conquer their fears, self-consciousness and prejudices, the men come to discover that they're stronger as a group, and the strength that they find in each other gives them the individual courage to "let it go."

The Full Monty is a story full of heart. Right to the end, audiences will be wondering if these lovable misfits will really pull it off. With a raucous mix of razor-sharp humor and toe-tapping pizzazz, this heartwarming, upbeat comedy is a must for any theatre looking for a big hit.

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