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Les Misérables School Edition
Director: Lara Ganz
Assistant Director: Aaron Jung
Music Director: gaba
Music Consultant: Billy Thompson
Vocal Coach: Heather Lyle
Choreography: Rebecca Brancato Barragan, Mark Marchillo (also stage combat) & Aaron Jung
Costume Design: Gillian Calof, David Montgomery, Zoë Poledouris-Roché & Vanessa Schacter
Producers: Susan Jackman & Monica Moore

Theatre Palisades Youth/Teens presents Les Misérables School Edition, an adaptation of the Tony Award–winning epic French musical. Led by Director Lara Ganz and with a cast of more than 50 youth actors, ranging in age from 7 to 17, Les Misérables recounts the struggle against adversity in 19th-century France. Arrested for stealing a loaf of bread, petty thief Jean Valjean spends 19 years in prison. Upon his release, he becomes an honest man, the mayor of a prosperous town, and a loving adoptive father — violating his parole in the process and causing him to be relentlessly pursued by Inspector Javert. Only after a student uprising, when Valjean saves the life of a young man who's in love with Valjean's adopted daughter, does the ex-convict finally feel fully redeemed. Come see this talented youth cast perform one of the most popular musicals ever, featuring one of the most memorable scores of all time!

February 23 - March 3

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A View from the Bridge
By Arthur Miller

As told by the New York Daily News, "... is a tragedy in the classic form and I think it is a modern classic... the central character is a longshoreman who, though his mind is limited and he cannot find words for his thoughts, is an admirable man...When two of his wife's Italian cousins — submarines they are, in the waterfront argot — are smuggled into this country, he makes room for them in his home. Gratefully they move in among his wife, his children and the teen-age niece whom he has brought up and whom he has come to love, he thinks, as a daughter. And now the stage is set for tragedy. One of the illegal immigrants has a family in Italy for whom he is working; the other young, extraordinarily handsome and exceedingly blonde, is single. He wants to become an American, and he falls in love with his benefactor's niece. If he marries the girl he will no longer have to hide from immigration officials. A monstrous change creeps up on the kind and loving uncle. He is violently opposed to this romance and is not intelligent enough to realize that this opposition is not motivated, as he thinks, by a dislike of the boy and a suspicion that he is too pretty to be a man, but by his own too intense love for his niece. Not even the wise and kindly neighborhood lawyer can persuade him to let the girl go. This is an intensely absorbing drama, sure of itself every step of the way. It makes no false moves, wastes no time and has the beauty that comes from directness and simplicity."
March 29 - April 28

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The Musical Comedy Murders of 1940
By John Bishop

The creative team responsible for a recent Broadway flop (in which three chorus girls were murdered by the mysterious “Stage Door Slasher”) assemble for a backer’s audition of their new show at the Westchester estate of a wealthy “angel.” The house is replete with sliding panels, secret passageways, and a German maid who is apparently four different people — all of which figure diabolically in the comic mayhem which follows when the infamous “Slasher” makes his reappearance and strikes again — and again. As the composer, lyricist, actors, and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions. However, and with no thanks to the bumbling police inspector who snowshoes in to investigate, the mystery is solved in the nick of time and the “Slasher” unmasked — but not before the audience has been treated to a sidesplitting good time and a generous serving of the author’s biting, satiric, and refreshingly irreverent wit.
May 24 - June 30

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The Rocky Horror Show
A Musical By Richard O'Brien

In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named "Rocky."

Frank-N-Furter and his motley crew did the "Time Warp" on Broadway in a 25th anniversary revival. Complete with sass from the audience, cascading toilet paper and an array of other audience participation props, this deliberately kitschy rock 'n' roll sci-fi gothic musical is more fun than ever.
September 6 - October 13

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Private Eyes
By Steven Dietz

Private Eyes is a comedy of suspicion in which nothing is ever quite what it seems. Matthew's wife, Lisa, is having an affair with Adrian, a British theatre director. Or perhaps the affair is part of the play being rehearsed. Or perhaps Matthew has imagined all of it simply to have something to report to Frank, his therapist. And, finally, there is Cory — the mysterious woman who seems to shadow the others — who brings the story to its surprising conclusion. Or does she? The audience itself plays the role of detective in this hilarious "relationship thriller" about love, lust and the power of deception.

"Steven Dietz's... Pirandellian smooch to the mercurial nature of theatrical illusion and romantic truth, Dietz's spiraling structure and breathless pacing provide enough of an oxygen rush to revive any moribund audience member... Dietz's mastery of playmaking... is cause for kudos." — Village Voice.

"The cleverest and most artful piece presented at the 21st annual [Humana] festival was Private Eyes by writer-director Steven Dietz... Dietz has created a romantic comedy in which what's real inevitably turns out to be an illusion. It's a play within a play within a play within a play within a psychiatrist's office — a Chinese box full of tricks and surprises." — Chicago Tribune.
November 8 - December 15

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$27 / $25

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$22 / $17

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